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Bayreuth | January 2010.

At the beginning of my work as Wieland der Schmied I gave a lot of thought to the graphic form of my logo. My logo should visually pick up on as many aspects of my work as possible. I also described that on my portrait page .

In practical use, e.g. when stamping my blacksmith’s mark or carving, it turned out that a somewhat rounder and more compact form of my logo was better to use. Finally, after 3 years, I have thought about a redesign of my logo and decided to unify my logo both in the graphic and in the practical application.

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